Replacing Maxima Headlights

I wasn't satisfied with the photos in my automotive manual on how to replace the headlights on my 1998 Nissan Maxima, so I took a few photos while I was doing the job myself.  I hope if anyone sees this they find it useful. 

Seeing The Hobbit in Only Two Dimensions

Peter Jackson's rendition of J.R.R. Tolkien's Lord of the Rings trilogy was an astounding, mind-blowing, once-in-a-lifetime accomplishment, and certainly people had a reason to anticipate what he would do with The Hobbit.  But I have to say, after seeing the new film last night in our local theater here in little Madison, SD, it was something of a disappointment.

Yes, there were cool effects, and it was fun to see some of the same characters again.  And the story is a pretty good one.  But the results of stretching the journey into three feature films were a bloated narrative and gratuitous scenes for the 3-D viewer.

It made me a little sad.

For one thing, The Hobbit is a children's story, one Tolkien wrote and read to his children, and it was published in part on the recommendation of a nine-year old, the son of the publisher.  The movie is not one for children.  It taps into the same dark vision that Jackson rightfully employed for the LOTR films.  Even more sadly, the movie adds elements that were NOT in the novel.  For example, we see Saruman, the turncoat wizard in the later story, arguing against the continuation of the dwarves' journey, hinting at his later betrayal.  We see the dwarves hunted by a goblin king bent on revenge on Thorin.  We see the double personality of Gollum that was introduced in the LOTR movies.  Essentially, these elements were apparently added, perhaps to wed the story more tightly to the later works, but more probably to help sustain the length of the film series.

For another thing, the film just wasn't very interesting for several stretches.  The opening sequence, the unexpected party, took too damned long.  Nothing was happening, just a lot of silliness with food and the dwarves eating everything in Bilbo's larder.  I realized later that this, like some of the later battle and chase scenes, were there for their 3-D effects.  Watching them on a conventional screen made me impatient.  I guess it's worthwhile to see what 3-D will do for the movies, but it didn't do much for this movie.  It just made it longer.  Like I tell my students, it's either working for you or against you.  These long scenes weren't working for me.

Yes, I'll go to the next films in the series, but I'll try to keep my expectations low.

Investing in the Zombie Future

Doesn't this look delicious? A zombie documentary, sort of, from the makers of THE PEOPLE vs. GEORGE LUCAS. Featuring Simon Pegg and George A. Romero.

Russell and Me

I don't have a picture of me and Russell Means, who died yesterday at the age of 72, like I do have of me and George McGovern.  But our paths did cross, several times.  I was a young kid working on a ranch down in southwestern South Dakota, just off the Rosebud Reservation, and the American Indian Movement was in full swing in that area.  I was working with some Lakota ranch hands on the place, but I was afraid of those wild AIM guys.  At that time Russel Means was active on the reservation, trying to revive some traditions that were being lost, and there was a sun dance planned near Ghost Hawk Lake, between Parmalee, SD, and St. Francis.

It just so happened that the ranch where I was working was north of Parmalee and my boss wanted me to drive a tractor to St. Francis, where we were going to work some land.  That meant I had to drive the tractor past where the sun dance was being held.  And it didn't have a road gear.  So, I remember full well the anxiety I had as I crossed bridges marked with spray-painted AIM lettering and other "Red Power" slogans.  And fearing what might happen as I neared the sun dance.  But nothing did.  Russell Means, the warrior/trouble-maker, in our view, was supposed to be there.  I couldn't see much.  Later, as I passed a little settlement of houses, some kids began to run out from their yards, and they could have caught me easily, even easier on bicycles, but they apparently had little interest in me.

Years later, I talked with Russell Means on the phone when I was researching the reaction of Indians to the popularity of "Dances With Wolves."  He denounced that film as one of the most racist movies ever, and although I agreed that there were problems with the film, there wasn't much of a chance to convey that to him.  He wanted to be heard.  Shortly afterwards I learned that he had been filming "Last of the Mohicans" about that time, and I was impressed with his role in that--a very non-stereotypical character.  But at that same time, what many do not know, was that he was also playing a very stereotypical role in a computer game, "Under the Killing Moon," one of the first computer games to include live action video.

I also seem to remember that my grandfather, who lived in Sioux City, once rented a house to Russell Means, which was right next door to him.  I remember a woman coming to the door, paying the rent, and my grandfather telling me, "That's Russell Means, in the car."  We knew who he was then.  That was maybe 1970 or so.  

So, another of these iconic figures for me is gone. 

Have You Seen These Movies? Not Likely.

We're lucky, in our small town, to have a movie theater with two screens, and every night they offer something to watch, at six bucks a head.  But I can't help but stop and notice when the two movies offered seem to be tamer versions of some of the popular films being shown elsewhere across the country.  How about taking the dragon out of "The Girl with the Dragon Tattoo," so it's not so darned wild-sounding.  Doesn't a movie like "Girl with a Tattoo" sound a lot more like a small-town movie?  And rather than "We Bought a Zoo," how does "We Bought a Soo" sound?  That might be a little more controversial if you realize that some have, over the years spelled Sioux as Soo.  Sure, they just got the Z up there backwards, but it's interesting to mark the little things that make living in a small town so darned interesting.

(Just a little note here:  the bowling alley/lounge is NOT connected to the theater.  They just share the sign.)

"Dust of War" Trailer--SD After the Apocalypse

DUST OF WAR TRAILER from Andrew Kightlinger on Vimeo.
Friends and former students were in on the filming of this cool-looking movie using the backdrop of the territory near Pierre, SD.  I'm looking forward to seeing it.  Those costumes look great, thanks to our own Kelly Macleod here in good old Madison, SD.

"Sledgehammer" Moviemaking--You Thought You Couldn't Make Movies

How's about making that horror movie you always knew you had in you.  Don't have a huge production budget?  No problem.  Get out the video camera, flip video, or whatever, and see if you can top this little number.  Think it's bad?  Come on!  Do better.

A Cinematic Dream, 80 Years Old

I was a 19-year-year-old hick from South Dakota who loved movies like "Vanishing Point" and "Evel Knievel" when I was introduced to "Un Chien Andalou" at a David Bowie concert at the Jahrhunderthalle in Frankfurt in 1976.  It blew my mind, opening up a whole new film experience for me.  Check out this brief introduction from A. O. Scott at The New York Times.